Listen as ASU professors revisit the violence and silence of Tulsa tragedy, 100 years later
“I have lived through the massacre every day. Our country may forget this history, but I cannot. I will not. And other survivors do not. And our descendants do not.”
On May 18, 2021, 107-year-old Viola Fletcher recounted the terror she witnessed as a 7-year-old child when a white mob violently attacked her all-Black community in Tulsa, Oklahoma, in 1921. One of the few living survivors of the event known as the Tulsa Race Massacre, Fletcher told her story to a House judiciary subcommittee in Washington, D.C., that heard her case for justice for one of the worst acts of racial violence in the history of the United States — a story that is rarely told.
Burnings, bombings, bodies and the destruction of “Black Wall Street” — the Greenwood District of Tulsa — represent the recollections that continue to haunt Fletcher, along with younger generations who now are breaking the culture of silence that has all but buried the horror of the Tulsa Race Massacre over the past 100 years.
Olga Davis, professor of communication in Arizona State University's Hugh Downs School of Human Communication, learned details about her own family’s connection to the Tulsa Race Massacre through her aunt and Tulsa resident Willie Mae Thompson. Before she passed away in 2015 at the age of 104, “Aunt T” shared stories about the attack on the family home during Tulsa’s two days of terror, and of Davis’ grandfather, a physician who bravely carried the front-line role of tending to the living and the dead in the battle-torn streets of Tulsa on May 31 and June 1, 1921.
Listen to her story
Davis has been unearthing the tragedy of Tulsa for more than 25 years now. It’s a passion project that began with a suggestion from her father to explore the family’s narrative in Tulsa as Davis sought out ideas for her PhD studies at the University of Nebraska, Lincoln. It was the first time in her adult life that Davis had heard of the event. And after knocking on many doors to learn more about it, she soon realized why she and so many others were deficient in this knowledge. Listen
Rashad Shabazz, associate professor of African American studies and geography in ASU’s School of Social Transformation and School of Geographical Sciences and Urban Planning, says it wasn’t until the bombing of a federal building in Oklahoma City in 1995 that the story around the Tulsa Race Massacre started to reemerge in the public consciousness as investigators and scholars looked at past acts of homegrown terrorism.
Pointing to television series such as HBO’s “Watchmen” and “Lovecraft Country,” both of which built story arcs around Tulsa’s history, Shabazz credits popular culture for bringing renewed and urgent attention to the tragedy in recent years.
“Magic City,” a historical fiction novel by Jewell Parker Rhodes, professor in the College of Integrative Sciences and Arts, was one of the first novels centered on the race massacre and the first novel Rhodes wrote as an ASU professor.
Listen to her experience in conducting research for her book in Tulsa.
Rhodes’ novel is a fictionalized account of the riot triggered by a sensationalized newspaper report about an encounter between Dick Rowland, a Black 19-year-old shoeshiner, and Sarah Page, a white 17-year-old elevator operator — represented by the characters Joe and Mary in Rhodes’ book. Here she reads an excerpt from her book.
Like Joe in “Magic City,” the real Rowland reportedly came within inches of his life when an angry white mob mobilized with the intent to lynch him. According to various historical accounts, Black residents of Greenwood took up arms to protect Rowland from that almost certain fate. A gunfight ensued between the mob and the Greenwood residents, leaving several killed or wounded. When the Black residents returned to Greenwood, the white mob followed them and attacked the community.
Over a period of about 18 hours, bloodshed left hundreds dead, thousands homeless, and the affluence of one the wealthiest Black communities in the country a shadow of its former self.