ASU School of Music, Dance and Theatre announces 2021 Concerto Competition winners


April 14, 2021

The School of Music, Dance and Theatre in the Herberger Institute for Design and the Arts has announced four winners in the 2021 Concerto Competition.

The school holds the competition each year for its top performing music students, giving them the opportunity to perform to entire concertos and for the school to program musical selections around those concertos. The winners are then invited to present concertos with one of the large music ensembles in the upcoming concert season. This year, 11 student finalists performed. symphony playing music on a stage ASU Symphony Orchestra Download Full Image

“Despite the reality of COVID-19, this year’s finalists were of a particularly high level,” said Jeffery Meyer, competition chair and director of ASU orchestras. “It was an inspiring and impressive set of performances.”

The competition winners are (listed in alphabetical order): Tychiko Cox, baritone; Nathaniel De la Cruz, bass; Vladislav Kosminov, piano; and Jared Waters, saxophone.

Judges include faculty from each music performance area in the school — strings, keyboard, voice, winds, brass and percussion/guitar/harp — with the requirement that they do not have a student in the competition.

The ASU faculty jury for the 2021 competition consisted of Jeffery Meyer, chair/orchestras; Joe Burgstaller, brass; Jason Caslor, bands; Michael Compitello, guitar/harp/percussion; Julie Desbordes, orchestras; Jamal Duncan, bands; Joshua Gardner, winds; Danwen Jiang, strings; Caio Pagano, keyboards; and Stephanie Weiss, voice.

This year’s competition was very different for both the competitors and the jury members due to COVID-19 compliance guidelines.

“This was an incredible experience,” said Waters. “In addition, it was the first time I performed on stage since the COVID lockdown took effect and it was beyond satisfying to feel a sense of familiarity in returning to what used to be our norm.”

Meyer said students had the option to submit recordings or perform in person under COVID-19 compliant guidelines, with most being able to perform live. Many of the members of the jury also joined the competition performance rounds via the livestream of the competition.  

“Being one of the winners of the competition is very memorable for me as it is the first one that I had the opportunity to play as an ASU student and to also perform with pianist John Solari,” said Kosminov. “I try to participate in concerto competitions at the schools where I study because it is an awesome opportunity to play with your peers and colleagues.” 

All of the winners said competing under this year’s restrictions was challenging, but they are grateful for the safe and professional experience.

“It was definitely a challenge to play a demanding piece on the bass with a mask on,” said De la Cruz. “Breathing plays an important role in my interpretation, so I felt like my phrasing was affected at times with the mask covering. Even so, it was a very rewarding experience, and I am really happy about being selected, especially because the concerto competition here at ASU is highly competitive.” 

In addition to adapting his performance under COVID-19 guidelines, Cox had an extra adjustment to make due to the coronavirus.

“When the competition started, my household had to be quarantined because of a coronavirus case,” said Cox. “I also developed bronchitis during this time, so there was a huge adjustment to be made in the way I was able to compete since I was unable to be on campus for the livestreamed event. I am grateful that I was still able to record and compete.”

For Cox, his concerto performance with the orchestra will be the first one where he is the only soloist for a major work.

“It's a very humbling experience to be selected as one of the winners of the competition,” said Cox. “Very rarely is a singer selected because there are so many other virtuosic instruments that can perform 'fireworks' with their sound.”

All of the winners have previously performed with an orchestra, noting the differences between those performances and solo performances.  

De la Cruz said the two main differences for him are in the level of projection and a varying tempo of the conductor and orchestra.

After performing Grieg’s "Piano Concerto" with an orchestra at age 13 and performing more than 15 different piano concertos with orchestras from different countries, Kosminov said that for him, the preparation process for a concerto with an orchestra is very different. As a pianist, he is responsible not only for learning the piano part but also the orchestral score.

Waters said the competition was a challenge since the saxophone is not considered an orchestral instrument.

“It is a significant undertaking that requires committed engagement from the conductor, the ensemble and the soloist when a usual performance for me might only require engagement from two people,” said Waters. “I'm excited about the potential for the interdisciplinary engagement and activism this could foster.”

Meyer said that performing a concerto is a distinction and an honor as there are very few opportunities around for developing artists.

“It is a very special feeling to be able to be surrounded by an orchestra and sing the piece of music I am performing,” said Cox. “I am thrilled and so lucky to have been chosen because whenever I stand on the stage, I am representing so many people. I am representing my home country, the Bahamas, the amputee community, the Black community and my family.” 

The competition winners and their winning competition pieces are listed below. Each winner will perform in the 2021–22 season, with dates to be announced in early fall.

Tychiko Cox, baritone             
Gustav Mahler (1860–1911), "Lieder eines fahrenden Gesellen," performance with the ASU Chamber Orchestra.

Nathaniel De la Cruz, bass
Frank Proto (b. 1941), "Nine Variants on Paganini," performance with the ASU Chamber Orchestra.

Vladislav Kosminov, piano
Sergei Prokofiev (1891–1953), "Concerto for Piano and Orchestra No. 3, Op. 26," performance with the ASU Symphony Orchestra  .

Jared Waters, saxophone
Jean-Denis Michat (b. 1971), "Shams (2010)," solo with a different work to be performed with the ASU Wind Ensemble.

The 2020 Concerto Competition winners will perform in the 2021–22 season due to in-person performance cancellations for adherence to COVID-19 guidelines. The 2020 winners are Nathan Bitter, trombone, with the ASU Wind Symphony; Julian Nguyen, violin, with the ASU Symphony Orchestra; Michael Robinson, clarinet, with the ASU Wind Ensemble; and John Solari, piano, with the ASU Symphony Orchestra.

Lynne MacDonald

communications specialist, School of Music

480-727-7189

Awards for scholars and graduate students showcase ASU's strength in Russian, Eurasian and East European studies


April 14, 2021

Four Melikian Center affiliates have recently received grants from the National Center for Eurasian and East European Research (NCEEER) to conduct research.

NCEEER was established in 1978 to ensure the long-term funding of peer-reviewed research on the region. The organization seeks to bridge the gap between academic research and public policy by supporting projects that address pressing global issues. Melikian Center scholars Garine Palandjian and Jacob Lassin have earned NCEEER grants for their studies. Download Full Image

Garine Palandjian, a Melikian Center-affiliated graduate student at the Mary Lou Fulton Teachers College, earned a grant to complete her dissertation on Armenian borders as sites of collaboration for educators. Her goal, she said, is “to shift the current scholarship on the Armenia-Azerbaijan and Armenia-Turkey relations by bringing into conversation the marginalized voices of educators.”

Palandjian's focus, drawing from the lived and imagined experiences of Armenian teachers seeking to expand their students’ horizons, is to trace how the ideas and the realities of the border itself shape classroom practices, textbook content and pedagogical theory in (post-)conflict Armenia. Through her work — grounded in ethnographic fieldwork and in-person interviews conducted before COVID-19 cut her stay in Armenia short — Palandjian hopes to contribute to the broader goals of democratic reformers in Armenia.

“Educators’ memories of bordering practices and experiences,” she said, “are vital resources with which to rethink national borders and identities in Armenian education.”

Palandjian's adviser, Professor Iveta Silova, sees a close fit between the dissertation’s and NCEEER’s priorities.

“Garine’s research,” said Silova, "is a valuable contribution to the fields of educational policy and peacemaking, especially in light of recent conflicts in the region.”

Palandjian has already explored innovative ways to share her data and preliminary findings: In fall 2020, she curated an in-person and digital exhibit at the ASU Harry Wood Gallery, which is now hosted on her person­­­­al website.

Jacob Lassin, a postdoctoral research scholar at the Melikian Center, was awarded an NCEEER grant to conduct research in Russia and Ukraine for his book manuscript, "Sacred Sites: The Russian Orthodox Church and the Literary Canon Online."

Lassin’s research explores how Russian Orthodox websites use Russia's literary tradition to harness popular support for the church's and the government's traditionalist agenda, and thus defuse or demobilize potential opposition among middle class professionals. Lassin recently discussed his work as part of the Melikian Center’s series of research video profiles; the grant will support further research and writing on the Russian Orthodox Church’s investments in digital community building.

Finally, professors Lenka Bustikova (principal investigator) and David Siroky (co-principal investigator) have won a joint NCEEER award for their research on political extremism in Eastern Europe. The new project is titled “Uncivil Society and Radical Right Voting,” and focuses on understudied dimensions of political participation and democratic competition that are shaping the political future of the region.

According to Siroky and Bustikova, “Uncivil society associations pose a serious threat because, at their extreme spectrum, their intimidation tactics and use of unauthorized violence challenges the democratic order and the state’s monopoly on the use of force. This project offers a systematic study of how, why and when citizens interact with and engage in uncivil society, radical right parties and radicalizing mainstream parties.”

The work builds on both scholars' prior work, including Bustikova’s "Extreme Reactions: Radical Right Mobilization in Eastern Europe", recently awarded the 2020 Davis Center Book Prize by the Association for Slavic, East European and Eurasian Studies.

Written by Kristen Ho