ASU professor pulls together the strands of activism and handiwork to find voices of marginalized individuals through history
Editor's note: This story is being highlighted in ASU Now's year in review. Read more top stories from 2018 here.
Needlework pieces are often seen as simple decorative heirlooms, but many were actually borne from matters of persecution and strife.
In a computer lab at Arizona State University's Department of English last week, ASU Professor Maureen Goggin pulled up a presentation of early 20th-century needlework items made by feminists and suffragettes, exploring the symbolic meaning behind needlework pieces from throughout history.
"What's important about this piece is that women during this time period were recorded by their prison number and not their name. And yet, this piece shows the names of all the women," GogginGoggin is also the director of writing, rhetorics and literacy. said, pointing to the item pictured at the top of this story. "The juxtaposition of decorative 'fancywork' and the vocalization of each women's name embroidered within the fabric exemplifies needlework as a space where both men and women can express themselves rhetorically."
Goggin said rhetoric is often seen as "empty words," but added, "Rhetoric has everything to do with how we communicate, and needlework was one way for many marginalized individuals to visually do just that."
It's a form of communication that has found renewed popularity among a number of activists today, but it's a practice with its roots stretching back into history. Next time you come across a piece of needlework, take a closer look and you may just find an abundance of subtext hidden within the fabric.