Signs That Sing
In "Signs That Sing," Heather Maring argues that oral tradition, ritual and literate Latin-based practices are dynamically interconnected in Old English poetry. Resisting the tendency to study these different forms of expression separately, Maring contends that poets combined them in hybrid techniques that were important to the development of early English literature.
Maring examines a variety of texts, including "Beowulf," "The Battle of Maldon," "Deor," "The Dream of the Rood," "Genesis A/B," "The Advent Lyrics," and select riddles. She shows how themes and typescenes from oral tradition — devouring the dead, the lord-retainer, the poet-patron, and the sea voyage — become metaphors for sacred concepts in the hands of Christian authors. She also cites similarities between oral-traditional and ritual signs to describe how poets systematically employed ritual signs in written poems to dramatic effect. The result, Maring demonstrates, is richly elaborate verse filled with shared symbols and themes that would have been highly meaningful and widely understood by audiences at the time.
Praise for this book
“Maring sidesteps simplistic oral versus literary schools of thought as she considers Old English verse as the product of an emergent hybrid form, representing a fusion of native poetics and Christian beliefs and practices. A welcome contribution to oral poetics and the understanding of the earliest period of English literature.”
“A critically sophisticated leap forward in the study of early medieval literature, 'Signs That Sing' issues a bold challenge to long-held preconceptions about the relationships underlying Old English poetry between past and present, pagan and Christian, and oral and literary.”