Downtown lecture series discusses 'Race in Arizona'

March 3, 2014

Arizona’s racial history is dichotomous, schizophrenic and highly misunderstood by the rest of the country, according to Matthew C. Whitaker, ASU Foundation Professor of History and the founding director of the Center for the Study of Race and Democracy.

Whitaker’s “Race in Arizona” was the second installment of the spring 2014 Humanities Lecture series, hosted by ASU’s School of Letters and Sciences on Feb. 27, at the Walter Cronkite School of Journalism and Mass Communication. portrait of Matthew C. Whitaker Download Full Image

The lecture explored the history of race relations in Arizona, underscoring the role of Western racial etiquette, resistance, activism, interracial alliances, landmark legal decisions and key legislation.

“There’s a certain level of race diversity in Arizona that you don’t see in other states existing within a very homogenous state, and this has created an interesting dynamic. We pockets of liberalism and progressivism, which has often led Arizona to do some things ahead of the curve, while at the same time falling behind the rest of the country because of our conservatism,” Whitaker said. “It’s hard for people outside of Arizona to pick up on that because they assume we’re this wholly backwards place without understanding it’s much more complicated than it appears. Arizona’s a very schizophrenic state when it comes to racial relations.”

Arizona boasts the second largest number of Indian nations in the country, combined with one of the highest Latino populations, but is predominantly white and conservative. Holding steady at 5 percent is the African-American population, who Whitaker says is heading into unchartered waters.

“Over the last 20 years, we’re seeing unprecedented demographic changes, and it’s a question of how that is going to impact racial relations moving forward.” Whitaker said. “The Latino population has grown exponentially while the white population is shrinking. The black population isn’t being reduced, but diffused. We’re not really shrinking, but we’re getting outpaced.”

Whitaker believes Arizona’s future demographics means that the African-American population will be forced to think differently and more creatively than in the past if they want a substantive voice, a seat at the political table and how the state will evolve moving forward.

The lecture series will continue on March 20 with author Betty Webb’s presentation of “Polygamy in Arizona.”

For more information on the spring 2014 Humanities Lecture Series, call Barbara Lafford at 602-496-0623 or email at blafford@asu.edu

Marshall Terrill

Reporter , ASU News

480-727-5176 marshall.terrill@asu.edu

ASU Art Museum to present concurrent exhibitions by artist Pablo Helguera

March 3, 2014

The ASU Art Museum is presenting two concurrent solo exhibitions of work by artist Pablo Helguera, both of which will open March 21. “Pablo Helguera: Librería Donceles” and “Pablo Helguera: Chrestomathy,” curated by Julio César Morales, will be the first presentation outside of the East Coast of this new work by Helguera, a world-renowned visual and performance artist whose work weaves together personal and historical narratives in the context of socially engaged art and language.

“Pablo Helguera: Librería Donceles” is an itinerant, functional Spanish-language bookstore of 12,000 used books on every subject – including literature, poetry, art, history, biology, medicine, anthropology and politics, as well as children’s books. To create the installation, Helguera assembled donations of books from individuals and groups in Mexico City and elsewhere, offering prints of his previous artworks in exchange for boxes of books. “Librería Donceles” will be on view through June 28 in downtown Phoenix at Combine Studios Gallery, home of the ASU Art Museum International Artist Residency Program. art installation Download Full Image

The project’s title is inspired by the old bookstores that line Donceles Street in Mexico City’s historic center, says Morales, and it will foster the open-ended and unhurried environment that draws people to used-book stores, where customers enter without a particular title in mind, and instead roam the shelves with the hope of spontaneously discovering a book that beckons them.

“The first iteration of ‘Librería Donceles’ was in September 2013 at Kent Fine Art in New York, when it became the only Spanish-language used-book store in the city – the same will be true in Phoenix,” says Morales. “By rendering visibility to the Spanish language in Phoenix, the installation recreates the unique, intellectually and culturally rich environment of a secondhand bookstore and questions how Spanish is integrated into the broader cultural life of Arizona.

“Pablo Helguera is a leader, if not a pioneer, in the social practice genre,” Morales explains. “’Librería Donceles’ is a tipping point within his practice that places socially-engaged art to the test in Arizona’s current social climate by offering the only Spanish language book store in Phoenix as a functional art project.”

“Although this project was originally slated for our new Brickyard location, Helguera visited in early February to look at the space before installation,” explains Gordon Knox, ASU Art Museum director. “After those conversations, we decided at the artist’s request to move the 'Libreria Donceles' exhibition to the gallery in downtown Phoenix. Our space in Phoenix is better suited for the store-front nature of his installation, and affords several new opportunities for community interaction that could be lost if the project were presented in a more traditional museum setting.”

Visitors to “Librería Donceles” – Spanish-speakers and non-Spanish-speakers alike – will be welcomed in this spirit of community interaction, and invited to a brief consultation with the artist or an associate. Once their interests and “bibliological profile” (as Helguera has described it) have been assessed, visitors will be given suggestions on where to look to choose their book. Only one book per customer will be allowed, in exchange for a pay-what-you-wish donation. All proceeds from these transactions will be donated in turn to the Phoenix Public Library Foundation in support of early literacy programs.

“Pablo Helguera: Chrestomathy” will be on view through June 21, in the Brickyard Gallery at the new ASU Art Museum Brickyard location. It is the inaugural exhibition in the new museum facility located at 7th Street and Mill Avenue, which houses the ASU Art Museum Ceramics Center & Brickyard Gallery.

“’Chrestomathy’ is a bridge across Helguera’s many fine art projects that explores issues of translation, cultural memory and the origins of recorded music as a form of cultural dialogue,” says Morales.

One landmark work that will be included in “Chrestomathy” is Helguera’s 2012 “Rogaland,” a project “made through a process of mistranslation.” The project is based upon the 1936 book “Gamle gardsanlegg i Rogaland,” by Norwegian archaeologist Jan Petersen, which is an account of the excavations of several medieval farms in the Rogaland region of Norway. Helguera, who neither speaks nor reads Norwegian, mistranslated the explanatory captions for the book’s 63 plates into English by conjuring phrases and statements suggested by the images and the imagined sound of the printed words.

“Having Helguera’s work presented in our two locations outside of the main museum highlights the museum’s geographical spread, its community embeddedness and the diverse range of facilities we operate,” says Knox. “This diversity of venue and these very different shows also display the extraordinary breadth of Helguera’s artistic practice.”

Pablo Helguera is a visual and performance artist, whose projects have included a school that traveled from Anchorage to Tierra del Fuego, complete with a portable schoolhouse; the recording of dying languages on wax cylinders; a memory theater; and the founding of the Instituto de la Telenovela. His work has been seen most recently at CIFO in Miami, the 2012 Havana Biennial and the Centro de Arte Reina Sofía in Madrid.

An opening reception for “Pablo Helguera: Librería Donceles” will be held on March 21, with a members, alumni and press preview from 5:30-6:30 p.m., and a public reception from 6:30-8:30 p.m. The artist and the curator will be present.

An opening reception for “Pablo Helguera: Chrestomathy” will be held in conjunction with the Grand Opening for the new ASU Art Museum Brickyard on April 11, with a members, alumni and press preview from 5:30-6:30 p.m., and a public reception from 6:30-8:30 p.m.

Additional programming in conjunction with the exhibitions is being developed in partnership with Performance in the Borderlands, the Puente Movement, Radio Campesina Network, Roosevelt Row, Teach for America and Culture is Life: Women of Color Media Arts and Collective.

“Pablo Helguera: Librería Donceles” and “Pablo Helguera: Chrestomathy” are supported by the Diane and Bruce Halle Foundation, Kent Fine Arts, the Helme Prinzen Endowment and an ASU Diversity Grant, and are organized by the ASU Art Museum, part of the Herberger Institute for Design and the Arts at Arizona State University. To learn more about the museum, call 480.965.2787 or visit asuartmuseum.asu.edu.

Location/Parking: The museum has three locations across the metro Phoenix area: the original museum on 10th Street and Mill Avenue on ASU’s Tempe campus, the ASU Art Museum Brickyard in downtown Tempe and the ASU Art Museum International Artist Residency Program in downtown Phoenix at Combine Studios. Designated parking is available at all three locations.

Admission: Free at all three locations.

Hours: The ASU Art Museum and ASU Art Museum Brickyard are open 11 a.m.-8 p.m. on Tuesdays (during the academic year), 11 a.m.-5 p.m., Wednesday through Saturday. The museum is closed on Sundays and Mondays.

The ASU Art Museum International Artist Residency Program in downtown Phoenix at Combine Studios is open from 2-7 p.m., Wednesday through Saturday and by appointment for the duration of Helguera’s installation.